poetry is love.

Wed 2006.02.01
by brian hefele
cigarette flicked in his beer
like in some silly sitcom
that couplet has ended
in ten quick words, ten quick
minutes for that couple to end,
he tested her humor with some
one-liner crack like i’m not one
to be coy are you one
to be easy?
her cigarette flicked
in his beer and she
stormed out, her stamping
like in some silly sitcom
and the laughtrack reel
rolled what a silly ending
to a silly metaphor,
poetry is love.
this piece i still rather enjoy. it’s quick. not just short, it has a fast pace to it, and i’m happy that i was able to control that. it’s just kind of silly and playful, in contrast to a lot of my work. but it’s also rather cynical, i suppose, and that’s very much me. it’s sort of about love, but not in my typical grasping, emotionally immature voice. i guess because it’s about failure. and to me, finding success in love is rather unrealistic, and my more ‘romantic’ pieces are thus quite fantasies. this is also a metapoem, although that’s less the point of it than many of my pieces from the time. but it is unavoidably aware of itself, wrapped up nicely at the end. though it’s more playful than i can imagine myself being right now, i’m still pleased with this older piece.

titles are simple.

Sun 2006.01.01
by brian hefele
tonight i must be a poet.
i must squeeeze out
suckle the newborn page
from the generous breast
that is my soul.
images are difficult;
they come to me
as naturally as
the gazelle
the lion.
tonight i must be a poet.
i must bleeed out
slit and drain with golden nib
the tender wrists
that are my soul.
images are dangerous;
they come to me
as peacefully as
the man
in the dark
with the knife.
but endings are the hardest.
they come to me
like death.
this is another old piece that hasn’t aged particularly well in my mind, but one that i’m still mostly comfortable hanging on to. the gimmick of the words elongated by the triple ‘e’s shows an embarrassing immaturity and lack of restraint. the images make no sense together. but it was well received by my peers at the time, for whatever reason, and i think it probably marks the start of a few recurring themes for me&hellips; it’s not confessional per se, but it is approaching that more than my previous work had. it’s also one of my first metapoems, a theme that continues to play out at times when writing occupies my mind more than most things, and therefore starts to also occupy my writing more than&hellips; well, more than makes sense. it’s also one of my earlier pieces to really play with the title instead of just slapping something on.

dirty money, killing true women

Thu 2005.12.01
by brian hefele
Mary Kay, Inc. is a mafia.
Mob bosses drive pink Cadillacs and
Sell killerdruggyfacepoisons
To misguided teenaged babes,
To women who wish
To get out of themselves
Once you dip in
To the pastes and
To the powders,
You may… never… stop.
To who you are not.)
You are killed.
Your dealer’s dealer’s dealer
Knows precisely who to be;
She’s a pretendpretty pinkandperfect,
Enhancing Women’s Lives.
this is a piece from when i was in community college. i was asked to read it at a women’s event of some sort, and then asked not to. over concerns of offending the audience, over legal concerns, whatever. at the last minute i was basically told ‘fuck it,’ and ended up reading it. it went over well enough. as far as my older work is concerned, this is probably my least favorite that i am willing to hold on to as canon. it’s gimmicky, it’s from a time when i had little control over my gimmicks. it’s also very much before what i would describe as my confessional period. but it has sentimental value, i suppose, and i still believe in the message. natural beauty for life!